Skip to main content

How do you progress quickly on the piano?

Quora Q: If you had only 30 min a day, every day, to learn piano in a year, how/where would you start & how would you progress?


You’re missing the first part, which is an explanation of the level you’re at currently. But, since you said “to learn piano in a year,” I’m going to infer that you mean starting from scratch.

Piano is a very physical instrument, and that demands consistent exercise. You wouldn’t, for example, expect to compete in a figure model competition exercising only 30 minutes a day for a year.

That said, there are several different methods of approach. Most classically-trained musicians are going to suggest that you might be able to finish a level one within a year at just 30 minutes per day. I’m going to suggest something completely different, and that you take a guitarist’s approach. You need to concentrate on PATTERNS and SONGS, not on dexterity and increasing complexity. To do this:

  • The first 10 minutes of your practice should be scales. DO NOT start with C major. The difficulty with C major is that it’s physically complex and doesn’t sit under your rested hand in a natural way. Instead, start with G-flat major (using blocking, where you press the black keys down together and pass the thumb under, until the thumb passing gets easy).
    • 3 black keys, thumb under. 2 black keys, thumb under.
    • The white keys you need are directly to the left and right of the three black keys.
    • Do this (hands together) until it’s reasonably comfortable, and then play the black keys individually instead of as a noisy chord.
    • Once you’ve mastered this, move on to D flat, and then C flat (B) major.
    • The reason this works is that you’re taking the theory out of it (taking out what’s easiest to read) and just looking at it purely physically (what’s easiest to play). This will let you build finger strength and dexterity much faster.
      • I’ve had students approach using this method, and accelerate their technical skills to the point that they actually enjoyed playing scales.
  • The next 20 minutes, concentrate on learning a song, melody in the right hand and chords in the left hand. When you get comfortable, learn to voice the chord so you can harmonize a little with both hands.
    • You’ll get a lot farther ahead if you learn to read the notes in the melody as you go.
    • You’ll also get a lot farther ahead if you take the time to learn how those chords relate to each other, and how to use inversions to make them easier to voice lead.

If all of this sounds complicated, remember: all you asked was to learn to play the piano in a year. You didn’t say play a Rachmaninoff concerto. If you’re coming in as an adult, my experience with adult learners is that they want to learn to play some songs, and this is the fastest way to get there where you can build some skills and play for the pure enjoyment of playing without getting bogged down in the dogmatic approaches of classical pedagogy.


TEACHERS: Try the scale approach I mentioned. I think you’ll be shocked at how much easier it is when you approach scales from the physiology of them rather than the readability. The “rule of thumb” is that flat-key scales always have both thumbs on F and C, which means no confusion between the hands as the thumbs always anchor at the same time.

Comments

Popular posts from this blog

Review | Donner "Giant Metal" Distortion Pedal

Insane sound from a mini pedal After years of scaling back to just my amp tone, I've started getting back into guitar pedals. 20 years ago, if you couldn't afford the Boss or DOD pedals, you were forced to go with the only budget brand out there: Rocktek. Those things were awful, but affordable. These days, the budget brands are king, in my opinion, and the compact size of the circuitry makes it possible to grab anything you want and try it out for less than fifty bucks. I wanted to start out with a good distortion, and after playing around with online reviews I decided to take the leap to the Donner Giant Metal. This little powerhouse lives up to its name! Super solid aluminum construction, easy to use controls, a fairly wide gain profile, and surprisingly flexible tonal control. It just has the one tone control, and the switch boosts highs or lows (top or bottom), or runs right down the middle. I won't say that this can replace a high-end Boss distortion, but if y...

Review | Joyo Vintage Phase

Tight, classic tone. When I was growing up, I wasn't all that into guitar effects. Distortion, maybe some kind of reverb or delay, and that was about it. My friends and I discovered Rocktek pedals, which were the cheapest of all possible budget pedals, and that changed our ability to experiment. My buddy got a Flanger, and I got a Phaser. And we had literally no idea what to do with them. In fact, his dad referred to my phaser experiments as resembling "frogs farting underwater." That ended my phase shifting career. Flash forward some 30 years, and while watching some guitar FX demos on YouTube, I saw a great one for the Joyo Vintage Phase. In the hands of the player using it, I realized what I'd been missing. It isn't just a modulation sweep effect. It can create a leslie or tremolo effect as well. So when I saw a used one for sale on the Facebook Marketplace, I grabbed it. I mean, even brand new these things sell for less that $50 Canadian on Amazon, so ...

Review | Donner 2-in-1 Viper Mini

Buy this pedal. It's as simple as that. I'm fully impressed with this little rocker pedal. Like most people, I've only used it as a volume pedal, but I plan on doing a fully video review later on when I try it with some delay to see how the expression side works. The instructions on how to use the expression function are a bit lacking; you need to connect it directly to your controlled pedal using a stereo cable. The circuit reads it as expression function automatically. So, for the details... Line in, line out...no surprises there. The shell is plastic, but it's a very high quality impact plastic. It runs passively, so no power source is necessary; it's a simple volume pot on a rocker switch. Yes, it's tiny, but it has a great traction pad on the top and bottom so it doesn't slide around like you think it might. And it's perfectly comfortable to control. As a volume pedal I've used it both in-line and through the FX loop, and it's aweso...