Woods & Strings

This is a hard truth about the music industry today: You are not unique or exceptional, and the music isn’t the product you’re selling. See, music used to be the product, and talent was rare. That was in the days when it cost a lot of money to find, develop, record, distribute, and market a musician. Today, we find that there are remarkably talented musicians everywhere, and everyone has the ability and resources to record as much as they like. It’s a buyer’s market, meaning fans can get music in any genre for free at the click of a button. Because there is no barrier to entry, there’s no commodity value in the music itself anymore. Take a look at American Idol this year: among the top 5, only one artist had never sung in public or recorded before. They all released singles as part of the competition(‘s money-making marketing machine). All of those singles charted to #1. Fritz’ self-produced and self-released EP charted to #1 on the iTunes pop charts. Why? Because he was on TV (it’s al...

 Some years ago, I wrote an essay on how I perceived the steps to mastery. These steps were partly derived from my study of history and the historical context of artist training and education, and partly from some of Bruce Lee's terminology when applied to mastery in martial arts training. That essay was lost -- which is sad, because it was one of the best things I've ever written -- but the fundamental principals haven't changed. These are the stages as I interpret them: How do you become a good bass player? The same way you get good at anything: Take lessons, pay attention, and practice. That said, over the years I’ve developed a sort of theory of pedagogy (teaching) that deals with the stages of mastery. It goes something like this: Stage 1: Rudiments Learn what the bass is, how it works, how to create notes, and what notes are. Stage 2: Techniques Learn how to play correctly and efficiently. Develop the muscle mechanics involved in the task. Understand how different sty...

Quora Q:  If you had only 30 min a day, every day, to learn piano in a year, how/where would you start & how would you progress? You’re missing the first part, which is an explanation of the level you’re at currently. But, since you said “to learn piano in a year,” I’m going to infer that you mean starting from scratch. Piano is a very physical instrument, and that demands consistent exercise. You wouldn’t, for example, expect to compete in a figure model competition exercising only 30 minutes a day for a year. That said, there are several different methods of approach. Most classically-trained musicians are going to suggest that you might be able to finish a level one within a year at just 30 minutes per day. I’m going to suggest something completely different, and that you take a guitarist’s approach. You need to concentrate on PATTERNS and SONGS, not on dexterity and increasing complexity. To do this: The first 10 minutes of your practice should be scales. DO NOT start with ...